Sunday, December 5, 2010

Crivelli: Madonna of the Taper

Crivelli was an artist of the late Middle Ages, and followed the late Gothic trends in his depictions of Mary and Jesus. Madonna-and-childs of this period are particularly interesting because Mary has characteristic facial features: understated eyebrows, small lips, a long forehead, and (often) both veil and crown. Madonna of the Taper exhibits many of these qualities.

In addition, this painting deserves attention for its richness. Crivelli piles the portrait with contemporary rarities: fruit, brocades, marble, pearls, precious and semiprecious stones, and gauzy fabric. Modern madonnas are seldom so lavish.

In addition, Crivelli incorporated symbols. Mary’s red gown stands for her espousal and identity with the Holy Spirit. The pears, such as that which Christ hands to Mary, also signify a spouse of God. The apple, at the feet of Mary, signifies original sin. The taper, from which this painting is named, signifies the vigilance, wisdom, and devotion which Mary embodies.